![]() She can often write like three, four, I don’t know how many scenes in a page, and each scene has everybody in it. “At the end of Little Women, said to me, ‘Oh, I’m really sorry it’s so hard,’” she laughs. “The immediate idea of what it’s like to work with Greta is that it’s such a lot to do,” Durran says. Durran was also working with director Greta Gerwig for the second time since 2019‘s Little Women. And it’s also ‘beautiful people in beautiful places doing beautiful things’”-a hat tip to Slim Aarons’s French Riviera in the ’60s. “And one of the ground rules was that would always be perfectly dressed for whatever she was going to do. ![]() You need some ground rules,” Durran says. Plus, when Durran speaks of Barbie, she is speaking of upward of 20 characters, many of them with unique jobs-like Doctor Barbie and President Barbie, played by the likes of Hari Nef and Issa Rae, respectively. Barbie, a product of Mattel, has lived through several decades and several style evolutions. Rather than digging through a time period for clothing and matching appropriate styles to the character at hand, Durran had to design costumes as the world of the film was being built. “It’s weird how a decision seems obvious once you’ve done it, but not before you’ve done it.” With Barbie, Durran has added an entirely new skill set to an extraordinarily full career, one that’s included films as varied as Pride & Prejudice (2005), Atonement (2007), Tinker Tailor Soldier Spy (2011), Anna Karenina (2012), Beauty and the Beast (2017), Spencer (2021), and The Batman (2022). “What would she think?” It took several attempts and conversations with star Margot Robbie before landing on that indelible “country Barbie” look. How does one understand what a piece of plastic with 60 years of IP to sift through would choose to wear? “How do you get inside the doll’s head to make a logical ?” Durran mused. This was one of the biggest challenges for Jacqueline Durran, the Oscar winner and costume designer of Barbie, as she told Vanity Fair on a recent phone call. But if you were Barbie, you would obviously choose a pink country-western vest with matching bell-bottom pants adorned with sparkling stars and a lace-up crotch, all topped with a clean, white cowboy hat and a pink bandana. Since utilizing the DR 7, Thales Alenia Space's inspection processes for production and assembly have become much faster and more efficient.If you were traveling to Los Angeles-or more specifically, Venice Beach-from someplace far, far away and you desperately wanted to fit in, what would you wear? A pair of rough and rugged denim shorts? An itsy-bitsy, teeny-weeny, yellow, polka-dot bikini? A floral dress befitting a flower child? All good thoughts. Thales Alenia Space uses the DR 7 with a portable X-ray generator which features an extra-small focal spot in order to obtain the highest possible image quality. Combined with the increased robustness thanks to its aluminum housing, the DR 7 was the best choice for meeting all Thales Alenia Space's requirements and performing inspections in the shortest possible time. Currently, the DR 7 with a pixel size of 19 μm is the leader in its class. Furthermore, image quality played a big role in Thales Alenia Space's purchase decision. These pipes are made of stainless steel (9.5 mm to 19 mm diameter) or titanium (0.4 mm to 0.5 mm wall thickness) and are tested during the manufacturing process in Turin, Italy, as well as after assembly at different locations in Europe.Ī major benefit of the DR 7 is its small size and its ability to fit into narrow spaces. Thales Alenia Space at its headquarters in Turin, Italy, has been using the DR 7 NDT CMOS detector from DÜRR NDT for 3 years to test welds of injection pipes for use in the aerospace industry.
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